The Obvious Reason for Piracy

Before I begin, I’d like to point out that I have absolutely no data whatsoever that might justify anything I’m saying. I’ve not done any research, nor have I undertaken any surveys to determine whether anything written below is justified. What I do have though is common sense, which seems to be lacking from a great many people (though especially those with all the money).

I’d like to talk about the price of digital downloads. I’d especially like to talk about the price of digital downloads on iTunes and how a change in the price would, I reckon, make a much better alternative to illegally downloading whatever you want.

Although this is something I’ve been considering for some time, a recent TED talk I saw on the subject of “Copyright Math” made me consider again just how insanely priced the media we consume is.

Let’s, for a second, take a look at the price of Buffy the Vampire Slayer on iTunes. Perhaps a random choice, but it was a show I used to enjoy and I fancied watching it again. So I popped on over to iTunes to see if the price matched my expectations. It did. But, not in a good way. Each series of this fifteen year-old show was priced at £24.99 (excluding the short first season, which was £19.99). This meant that if I’d wanted to buy all of the shows, it was going to cost me £169.93. That figure is absolutely ludicrous, when you consider that the DVD boxset can be purchased for just £37.97 on Amazon.

This is a show that, unlike new releases, cannot possibly be generating the kinds of revenue which would justify keeping it at such a high price. The draw of a show which is clearly outdated by modern standards cannot be so high that large numbers of people are downloading from iTunes at such wildly inflated prices.

So what possible reason can the distributors have for charging so much? Apple obviously take their cut, but that’s a percentage and not a fixed fee which the distributor would need to meet. And they’re saving huge amounts of cash on the manufacture and distribution of physical discs. All they have to do is simply upload their shows on to iTunes and leave it at that. They no longer have to touch them or even think about having to stop reproduction due to manufacturing limitations. These are shows which can sit permanently on Apple’s servers without anyone worrying about them, and constantly generating funds from sales when the next person moves into the digital world.

As I said earlier, I have no figures. But to my mind, there’s a case for charge the least amount possible for these shows. I would be more than willing to pay £20 to download every season, for example. And I’m quite sure there would be a great many more people willing to pay the same price to download every single episode.

Just as copyright lawyers seemingly do, I’m going to pluck a figure out of the air now. I’m going to suggest that for every one person willing to pay £170 for all of these seasons, there are going to be at least twenty more people willing to pay £20 for them all. I reckon I’m underestimating that too. And given that there is absolutely no effort involved in changing the price to something more reasonable, nor any extra manufacturing costs to consider, I don’t quite understand why it’s not something they’ve introduced.

Perhaps this is distributors trying to save their own skin before it’s too late. After all, who will need to use a distributor when a moviemaker could simply add their own productions straight to iTunes (or their own online presence) and cut out the middle man? Once cinemas go 100% digital, what’s to stop them downloading the movies straight from the producers too? Distributors are now facing a losing battle. Although there is a current market for physical items, this cannot possibly last forever. Especially if the prices of digital downloads were sorted out to make them more reasonable. Eventually, owning a physical item will be something for hardcore devotes only, which is something distributors clearly must be aware of.

So, distributors have to face up to the facts. It is their outdated business models which are leading to an increase in piracy. For every one person willing to pay £170 for all of these seasons, there are twenty more willing to download them illegally. Twenty people who could be persuaded to pay a small fee to own a show which is otherwise sat on Apple’s servers, only generating a profit whenever someone with more money than sense comes along.

Perhaps I am underestimating the business. Perhaps there are hidden issues which I’ve not considered because I’m not aware of them. But from my limited understanding, looking at this issue with what little common sense I have, there are surely better ways for money to be made by the movie industry, which (as a rather fortunate byproduct) would also lead to a rise in consumer satisfaction?

Importing Christmas Tracks

I’ve just spent a little bit of time importing a Christmas CD to iTunes which had been compiled by a friend. Although the songs are very easily recognised, I was slightly worried by the fact that there was no indication at all as to the artist. The tracks had been re-recorded and re-released by so many people of the years that I was concerned about getting them all right. Especially now that iTunes Match would be attempting to track down a copy once I’d added it.

It seems that I need not have feared. I used SoundHound, which is currently free on iTunes and one of the pressies Apple are giving us this year with their 12 Days of Christmas promotion.

SoundHound listens to the song you’re playing at it tells you what it is and who’s singing it. And it got every single one absolutely correct. The only issue it had was with a random Christmas song by Alvin & The Chipmunks, although after skipping ahead to later in the track it was able to pick up the chorus.

Obviously, one set of songs is not enough to determine whether it would get anything you could through at it right, but for absolutely nothing this app has saved me what could have amounted to hours of searching.

Everything You Need to Know About iTunes Match

If, like me, you’ve just signed up to the iTunes Match service in the UK, you may have a number of niggling little questions which you’d like answering. I’ve had a scout around myself and found a couple of sites which may be of interest.

Firstly, Macworld offer a pretty in-depth FAQ on the subject, which can be found here:
http://www.macworld.com/article/163658/

Secondly, if you’re wondering what the little icons mean in your iTunes music library, the Apple Support article below is very useful:
http://support.apple.com/kb/ts4124

Abvio Cyclemeter

My cycle route from the other day.

In a little under a month’s time I’m going to be cycling from London to Paris. It’ll be a tough ride, with the first day seeing me clocking in a whopping 90 miles within a time limit so that I can jump on the ferry before it departs for Calais.

The event itself is very well organised, with all luggage and other bits and pieces being carried for us in the back of a van. I’ll be taking just a few essentials with me on the bike during the ride, such as drinks, energy bars, a camera and – most importantly – my iPhone (though some may argue as to whether carrying my phone or keeping myself hydrated is more vital).

And the most important thing I’ll have on my iPhone during the trip will be Cyclemeter by Abvio.

As the name suggests, Cyclemeter is a tool for tracking your ride. Take a look through iTunes and you’ll find a myriad of other apps which do pretty much the same thing. So what sets Cyclemeter apart from the rest of the pack?

First is its ease of use. Unlike many apps, there’s no need to sign up to a particular service in order to use it. You’re ready to go as soon as you’ve downloaded the app. Simply press the Start button and get moving. Obviously, as with all these things, the app will only work if you’re in the right sorts of conditions, as it’s dependent on your phone receiving a satellite signal. But it really is as simple as download-and-go. And once you do, the app will track your speed, distance, elevation, ride time, stopped time (using the in-built Stop Detection), split times, route and a whole bunch of other things that you never realised you wanted to know. You’ll also get a Google Map plotted for you, with distance markers included.

All of that stuff is a available simply by turning on the app. But those are the sorts of things that you get with every tracking app. It’s only once you start to play around with the options that you get to see just how powerful Cyclemeter is.

Let’s start with the Calendar Sync. Once you’ve finished your ride, the app will create a new event in your iPhone calendar containing your start and finish times, various other stats and a link to a map so you can easily keep track of what you’ve done without having to go back into the app. If you sync your calendar with your PC or Mac, this information will be available on there too. A very handy tool which enables you to keep track of what you’ve been up to, wherever you happen to be.

Another very handy feature is the way the app stores each route you’ve taken, enabling you to select the same one in the future and compete against yourself to improve your time. And it’s not just cycling. You can choose from a wide-range of other sports for you to track, including walking, running, hiking, skiing, skating, swimming etc. This will allow you to keep track of your various activities without them becoming confused.

Once you’ve finished, you’ll also be able to export the tracking data in a variety of ways. These range from a simple Google Map link, to GPX, KML and CSV files. These will come in very handy if, like me, you plan on stopping during the ride to take photographs and wish to geotag them later on.

Some of the great stats you'll get from the app.

All of these features are absolutely superb and implemented extremely well, and once you’ve got used to where everything is you’ll find that you can get some extremely interesting and useful stats out of it. But these things aren’t the reason I love Cyclemeter. No, the reason I love Cyclemeter is because of the sharing options, and that’s the reason I’ll be using it to track my progress on my cycle to Paris.

Cyclemeter can be set up to share absolutely everything automatically with your friends and family. The app can be connected to Facebook, Twitter and Dailymile, allowing you to have the app let your friends know when you start, stop, continue, finish and when you’ve reached certain distances or achieved certain times. You can also include any number of email addresses to send the same messages to throughout the trip. These updates will include a map link which is updated with your current location every five minutes, so that even if you’re abroad you can keep your loved ones informed of your progress (and so they can be sure you’ve not fallen underneath a French lorry!).

All of these are customisable, and you can set which aspects of your trip will trigger a message (per service too, so that you could potentially update Twitter more often than Facebook if you so wished), and you can choose the time and distance intervals as well. Each message is also editable, so if you don’t like the defaults, you can state what you’d like your posts to say.

It doesn’t end there though. If one of your Twitter followers, Facebook friends or Dailymile contacts happens to post a reply, the app will read it out to you using one of the voices available using in-app purchasing. Of course, they all sound a little bit like Stephen Hawking, but I’ve never heard a synthesised voice getting everything correct.

The only real issue I’ve been able to find at all with using the app is nothing to do with the app at all, but rather to do with data roaming issues. As I’ll be wanting to use it abroad, it’s going to cost me a bit of money to connect to the Internet. Of course, I could turn the Internet element off within the app, but that defeats the whole point of being able to keep people informed of where I am.

As I wasn’t sure of how much data Cyclemeter would use whilst tweeting / Facebooking / Dailymiling / emailing, I sent a support message to Abvio to find out. They were extremely useful and supplied me with a detailed message within 24 hours, suggesting that they would estimate an average of 1MB per hour if the app was allowed to send all of the messages I would want it to and update the map every five minutes. Which I think is fairly reasonable. So I shall be keeping the app on through France and have my fingers crossed that my data doesn’t run out before the end.

Of course, the other issue I’ll have will be keeping the phone charged enough with the constant use of GPS. So I’ve invested in a solar charger to sit on my backpack which should hopefully keep me topped up throughout the day.

In conclusion then, I really can’t fault Cyclemeter at all for its usefulness, implementation, design, ease-of-use, features and just all-around greatness. If you’re already using a similar app, you could probably do a whole lot better by switching over to this. Abvio are also constantly updating it to bring new improvements and features. A definite win.

Rating
Abvio Cyclemeterwww.dyerware.comwww.dyerware.comwww.dyerware.comwww.dyerware.comwww.dyerware.com
A superb app for tracking your cycling, offering more stats than you ever thought you needed, and with unsurpassed sharing options.